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"description": "Short play for school audiences by Janet Hayakawa and Tere Martínez that juxtaposes the Japanese American incarceration with the Civil Rights Movement and anti-immigrant sentiment in the present.",
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"title": "Brian Niiya",
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"title": "Nihonjin Face (play)",
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"body": "<div class=\"mw-parser-output\">\n <div class=\"rgonly\">\n <!--\"rgdatabox-CoreDisplay\" removed-->\n <div id=\"rgdatabox-Core\" style=\"display:none;\">\n <p>\n RGMediaType:plays;\nTitle:Nihonjin Face;\nCreators:Janet Hayakawa; Tere Martínez;\nInterestLevel:Grades 3-5; Grades 7-8;\nReadingLevel:;\nGuidedReadingLevel:;\nLexile:;\nTheme:Circle of life; Evils of racism; Progress – real or illusion; Wisdom of experience;\nGenre:;\nPoV:Told from perspective of teenagers in the 1940s and 2017;\nRelatedEvents:;\nAvailability:Widely available;\nFreeWebVersion:Yes;\nPrimarySecondary:;\nHasTeachingAids:Yes;\nWarnings:;\nDenshoTopic:;\nGeography:Tacoma, Washington; Chicago, Illinois;\nChronology:1940s; 1966; 2017;\nFacility:;\n </p>\n </div>\n </div>\n <div id=\"databox-Plays\" style=\"display:none;\">\n <p>\n Name:Nihonjin Face;\nFirstDate:;\nFinalDate:;\nLocation:;\nWriter:Janet Hayakawa; Tere Martínez;\nDirector:Katie Lappier;\nProducer:;\nCreative:;\nTechnical:;\nCharacters:;\nWebsite:;\nPlaybillLink:;\nIBDBID:;\nIODBID:;\nTheatricaliaID:;\nPublisher:;\nPubDate:;\nCurrentPublisher:;\nCurrentPubDate:;\n </p>\n </div>\n <p>\n Short play for school audiences by Janet Hayakawa and Tere Martínez that juxtaposes the Japanese American incarceration with the Civil Rights Movement and anti-immigrant sentiment in the present.\n </p>\n <p>\n <i>\n Nihonjin Face\n </i>\n moves between the war years and 2017 and traces parallel coming-of-age stories of a young Japanese American girl during the war years and her grandson in 2017. In the wartime scenes, Tomiko Hashimoto, who is ten as the war begins, her older brother Kiyo, and her\n <a class=\"encyc notrg\" href=\"https://encyclopedia.densho.org/wiki/Issei\" title=\"Issei\">\n Issei\n </a>\n mother see their father/husband arrested and interned and are themselves forcibly removed from Tacoma and sent to a concentration camp. Tomiko is angry at their treatment despite her being an American citizen and is scarred by an incident in which a guard points a gun at her when she gets too close to the fence. The family eventually resettles in Chicago. In the 2017 scenes set in Tacoma, Washington, two teenage boys, R.J., who is African American, and Tommy, who is Japanese American, play video games while talking about being on the basketball team and procrastinating on their history project. Tommy's mother suggests they do the project on a civil rights march that their grandmothers participated in together in the 1960s. Through their conversations about the project, the racial dynamics at their school, and interview with Tommy's grandmother—the now 84 year old Tomiko—the boys come to see the historical parallels and wonder what they can do to insure that such a thing doesn't happen again.\n </p>\n <p>\n The Broadway Center for the Performing Arts commissioned Hayakawa and Martínez to write and produce the play with the support of the Kip Tokuda Memorial Washington Civil Liberties Public Education Program. Designed to tour schools in Washington state to commemorate the 75th anniversary of Executive Order 9066 in 2017,\n <i>\n Nihonjin Face\n </i>\n was performed at 37 venues—26 of them schools—before 15,400 people.\n </p>\n <div id=\"authorByline\">\n <b>\n Authored by\n <a class=\"encyc notrg\" href=\"https://encyclopedia.densho.org/wiki/Brian_Niiya\" title=\"Brian Niiya\">\n Brian Niiya\n </a>\n , Densho\n </b>\n </div>\n <div id=\"citationAuthor\" style=\"display:none;\">\n Niiya, Brian\n </div>\n</div>\n",
"moreinfo": "<div class=\"section\" id=\"For_More_Information\">\n <h2>\n <span class=\"mw-headline\" id=\"For_More_Information\">\n For More Information\n </span>\n </h2>\n <div class=\"section_content\">\n <p>\n Full performance of play on KCTS website:\n <a class=\"external free offsite\" href=\"https://kcts9.org/programs/arts/nihonjin-face-full-performance\" rel=\"nofollow\">\n https://kcts9.org/programs/arts/nihonjin-face-full-performance\n </a>\n .\n </p>\n <p>\n <i>\n Nihonjin Face\n </i>\n Education Guide:\n <a class=\"external free offsite\" href=\"http://www.broadwaycenter.org/images/Nijonjin_Face_6_-_12_Study_Guide_Part_1.compressed.pdf\" rel=\"nofollow\">\n http://www.broadwaycenter.org/images/Nijonjin_Face_6_-_12_Study_Guide_Part_1.compressed.pdf\n </a>\n .\n </p>\n <p>\n Cerna, Enrique. \"\n <a class=\"external text offsite\" href=\"https://kcts9.org/programs/borders-heritage/nihonjin-face-lessons-past\" rel=\"nofollow\">\n Nihonjin Face: Lessons from the Past.\n </a>\n \" KCTS9 website, Mar. 24, 2017.\n </p>\n <!-- \nNewPP limit report\nCached time: 20230613175457\nCache expiry: 86400\nDynamic content: false\nComplications: []\nCPU time usage: 0.015 seconds\nReal time usage: 0.020 seconds\nPreprocessor visited node count: 248/1000000\nPost‐expand include size: 4703/2097152 bytes\nTemplate argument size: 970/2097152 bytes\nHighest expansion depth: 4/40\nExpensive parser function count: 0/100\nUnstrip recursion depth: 0/20\nUnstrip post‐expand size: 0/5000000 bytes\nExtLoops count: 0\n-->\n <!--\nTransclusion expansion time report (%,ms,calls,template)\n100.00% 8.108 1 -total\n 28.81% 2.336 1 Template:RGDatabox-Core\n 19.95% 1.617 1 Template:Databox-Plays\n 16.64% 1.349 1 Template:Published\n 16.33% 1.324 1 Template:AuthorByline\n 16.12% 1.307 1 Template:publish-rgonly\n-->\n <!-- Saved in parser cache with key encycmw:pcache:idhash:3861-0!canonical and timestamp 20230613175457 and revision id 28967\n -->\n </div>\n</div>"
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