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"description": "Short essay by\n \n Hisaye Yamamoto DeSoto\n \n about the Kumamoto-mura community near Oceanside, California, where her family lived just prior to World War II. The pleasant reminiscences of life there are tempered by recollections of the chaos after the Japanese attack on Pearl Harbor and the events leading up to the forced removal of Japanese Americans from the West Coast. The title of the story comes from the narrator's recollection of making a pot of rice intending to make rice balls on the day of their forced departure, but forgetting about it, leaving the full pot behind. Years later, she returns to the site of the community, which subsequently became a large military base which for a time housed tens of thousands of Southeast Asian refugees. Noting the similarities with the concentration camps she and her family were in, she observes that this group was the third group of Asians to come and go from the geographical area, after the Japanese Americans and the Native Americans before them.",
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"description": "Landmark feature film produced by Visual Communications (VC), a Los Angeles based non-profit in 1980. Centering on the life story of an\n \n Issei\n \n man,\n \n Hito Hata\n \n was likely the first dramatic feature film about Asian Americans by Asian Americans since the silent film era.",
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"title": "The Legacy of a Cemetery (short story)",
"description": "First person reflections on a trip back to his hometown of Los Angeles by a man who had settled in New Jersey after leaving the\n \n Jerome\n \n , Arkansas, concentration camps some thirty years earlier. A visit to Evergreen Cemetery east of downtown Los Angeles brings back memories of his forced removal in 1942, remembrances of\n \n Nisei\n \n soldiers he knew who are buried there, and memories of his deceased family members.",
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"description": "Experimental documentary film by Bob Nakamura made in 1971 that was one of the first films to explore the legacy of the wartime incarceration of Japanese Americans.",
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"description": "Short story by Ferris Takahashi of an Issei woman whose family puts her in a cold nursing home against her will at the end of her life. Told from the perspective of the woman, she recalls her forced removal and incarceration in unspecified concentration camps and other episodes in her life.",
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"description": "Originally produced and released in 1973 by Paredon Records,\n \n A Grain of Sand: Music for the Struggle by Asians in America\n \n by folk trio\n \n Chris Kando Iijima\n \n ,\n \n Nobuko JoAnne Miyamoto\n \n , and William \"Charlie\" Chin is widely recognized to be the first album of Asian American music. The record is a combination of folk songs, political ballads and protest songs. The music was written, performed and recorded at the height of the Asian American, black, and anti-war movements in the early '70s by New York musicians and activists Iijima, Miyamoto, and Chin, who were then in their twenties and early thirties. The original album includes artwork by Arlan Huang/Artist Resource Basement Workshop on the album jacket and liner notes with a political statement by the musicians, lyrics, and a list of Asian American publications from the era. One of the songs, \"We Are the Children,\" is likely the first song in English to explicitly mention the wartime incarceration of Japanese Americans.",
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