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            "title": "An American Contradiction (film)",
            "description": "Filmmaker Vanessa Yuille goes to visit the\n  \n   Heart Mountain\n  \n  site, where her mother was born, to learn more about its history. Through interviews with former inmates—particularly Bacon Sakatani—and local residents and experts, she provides an overview of the mass removal and incarceration and of life at Heart Mountain. We also see LaDonna Zall, acting curator at the\n  \n   Heart Mountain Interpretive Center\n  \n  , lead tour of the site as it is today. The film concludes with Sakatani leading what looks like a local community meeting in a discussion about whether the camp should be called a \"concentration camp.\"",
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            "description": "Documentary film recounting the wartime story of a\n  \n   Kibei\n  \n  couple, Itaru and Shizuko Ina and their two young children as reconstructed by their daughter Satsuki Ina. Ina and co-directors Emery Clay III and Stephen Holsapple tell the story largely through the couple's own words in the form of Shizuko's diary and letters to each other when they become separated in the course of their incarceration.",
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                "War – glory, necessity, pain, tragedy"
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            "id": "Gardens of Hope (book)",
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            "title": "Gardens of Hope (book)",
            "description": "Novel about the short but life changing romance between a young white man and a\n  \n   Nisei\n  \n  man during World War II. The story begins in 2004, as the elderly Jack Henry asks his nephew to drive him to the Manzanar National Historic Site. On the way, he tells the nephew the story of his connection to the place. As the story begins in Los Angeles the fall of 1942, Jack seems to have everything: a loving family, a smart and attractive fiancée, and good prospects for a career as a teacher. However as a closeted gay man, he is confused and unhappy. Drawn to Pershing Park downtown, he has a series of furtive sexual encounters with other men before meeting Hiro, a handsome young Nisei. Their affair is immediately different and deeper than the others. When the outbreak of war separates them, Jack impulsively decides to become a teacher at\n  \n   Manzanar\n  \n  . While there, they connect again, though again circumstances separate them after a short period of time. Back in 2004, Jack's first return to Manzanar in sixty years brings memories of that time flooding back.",
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            "rg_genre": [
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            "rg_theme": [
                "Companionship as salvation",
                "Everlasting love",
                "Evils of racism",
                "Loss of innocence",
                "Self-awareness"
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            "id": "The Heart No Longer Silent (play)",
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            "title": "The Heart No Longer Silent (play)",
            "description": "Storytelling performance with digital imagery by storyteller Megumi and artist Elaine Sayoko Yoneoka. Funded by the\n  \n   California Civil Liberties Public Education Program\n  \n  ,\n  \n   The Heart No Longer Silent: Stories with Images from the Japanese American Internment of World War II\n  \n  was performed several times in Central and Northern California in 2002.",
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            "description": "Documentary short film on the\n  \n   Honouliuli Internment Camp\n  \n  in central Ō'ahu produced by the Japanese Cultural Center of Hawai'i. Interviews and other footage from this film were later incorporated into a broader documentary film,\n  \n   The Untold Story: Internment of Japanese Americans in Hawai'i\n  \n  . Ryan Kawamoto wrote, directed, and edited both films.",
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            "id": "Japanese American Detention Camps: Stories of Strength and Hope (play)",
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            "title": "Japanese American Detention Camps: Stories of Strength and Hope (play)",
            "description": "Storytelling performance by Megumi in which she tells stories of the World War II incarceration of Japanese Americans from the perspective of various characters. Based on interviews with Japanese American former inmates, she has been performing\n  \n   Japanese American Detention Camps\n  \n  since 1997.",
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            "id": "The Lost Village of Terminal Island (film)",
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            "title": "The Lost Village of Terminal Island (film)",
            "description": "A 2007 documentary film directed by David Meltzer about\n  \n   Terminal Island\n  \n  , once home for a large and prosperous Japanese American fishing community located near the Port of Los Angeles, California. After the bombing of Pearl Harbor on\n  \n   December 7, 1941\n  \n  , nearly 3,000 Japanese immigrants and their families who lived at Terminal Island were forced from their homes and into government concentration camps. Most of the original inhabitants of this tight-knit Japanese American village would never return. This film tells the story of childhood memories of growing up on a once idyllic Terminal Island as well as the painful experiences of suspicion, interrogation and incarceration (most Terminal Islanders were sent to the camp at\n  \n   Manzanar\n  \n  ) that the community suffered following the passage of\n  \n   Executive Order 9066.\n  \n  The film also traces the former residents' continuing identification with Terminal Island, noting the reunions that began in 1971 and climaxing with the dedication of a memorial at the former site of the village in 2002. The film is based largely on interviews with the former residents, augmented by many family photographs and archival and home movie footage. Funding for the film came in part from the\n  \n   California Civil Liberties Public Education Program\n  \n  .",
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            "description": "A short documentary film by Brian Tadashi Maeda about Lou Frizzell, who came to the World War II American concentration camp at\n  \n   Manzanar\n  \n  to teach drama and music to the Japanese American high school students who were imprisoned there. The film includes interviews with his former students, who were inspired by Frizell's ability to help the students temporarily forget their circumstances and lose themselves to the beauty and power of music and the joy of being young. The film also includes re-enactments of Manzanar High students performing parts of Frizzell's operetta\n  \n   Loud and Clear\n  \n  . The second half of the film turns its attention to Arnold Maeda, the filmmaker's older brother and a student of Frizzell's who performed in\n  \n   Loud and Clear\n  \n  ; we attend a 2002 ceremony at Santa Monica High School in which Maeda and other Japanese American students receive the diplomas they were denied by the mass incarceration and visit the grand opening of the Manzanar Visitors Center in 2004.\n  \n   Music Man\n  \n  was funded by a grant from the\n  \n   California Civil Liberties Public Education Program\n  \n  and released in 2005.",
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