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"description": "Memoir published in 2011 centering on the author's grandmother, who slowly tells the author the story of her life and incarceration at\n \n Heart Mountain\n \n , over the course of several visits with the author. Her grandmother's detailed narrative from the perspective of a young woman of twenty when the war breaks out—the happy childhood in Los Angeles, the shock of war and forced removal, meeting her husband at the\n \n Pomona Assembly Center\n \n , marrying in camp, and having her first child there, before resettling in\n \n Seabrook Farms\n \n , New Jersey—is contrasted with the author's vastly different life as a contemporary young woman of roughly the same age when she begins the project. Having grown up in Pennsylvania, apart from her grandmother in Florida, the visits also allow the two women to really get to know each other for the first time. The book includes various brief historical snippets that provide the larger context of the war and the Japanese American experience for readers with no background on the topic.",
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"description": "Short story by\n \n Wakako Yamauchi\n \n centering on a former Buddhist priest whose gambling addiction has turned him into a beggar in the early postwar years. Told in the first person by a\n \n Nisei\n \n woman named Utako, the story begins with the outbreak of war and the then seventeen-year-old Utako's incarceration with her family in an Arizona concentration camp. The\n \n loyalty questionnaire\n \n divides the family, as her brother Toshio becomes a \"\n \n no-no boy\n \n \" and gets sent alone to\n \n Tule Lake\n \n . There, he becomes friends with Jim Morita, a fellow \"no-no.\" After the war, the family returns to Los Angeles, and Utako ends up marrying Jim; she works as a painter of shower curtains, while he attends college. A couple of years later, Jim and Utako visit Las Vegas. On their way out, they run into the title character, a former Buddhist priest who had been a powerful inmate leader in post-segregation Tule Lake, who has now obviously fallen on hard times. The story follows the couple's two subsequent—and increasingly unsettling—interactions with him over the next few years, which take place as they struggle to establish themselves in the postwar economy.",
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"description": "Moderated panel discussion led by Phil Shigekuni with four prominent Japanese American Protestant ministers with ties to Los Angeles who were incarcerated during World War II. Three—Rev.\n \n Paul Nagano\n \n , Rev. John Miyabe, and Bishop Roy Sano—were at the\n \n Poston\n \n , Arizona, concentration camp, while Rev. Sam Tonomura was a boy in British Columbia caught up in the forced removal of Japanese Canadians during the war. The discussion covers the men's experiences during the war and the role of the church during the incarceration, particularly with regard to issues of \"loyalty\" and resistance. The men talk about the role of the church in the\n \n Redress Movement\n \n , in bridging divides in the Japanese American community today, and in the anti-Muslim/Arab climate following the 9/11 attacks. The format of the film largely follows that of a \"talking heads\" type television program, with the insertion of still historical photographs.",
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"description": "Notorious 1942 Hollywood movie that depicts Japanese American leaders in Los Angeles as being part of a Japanese spy ring and that actively advocates the expulsion and incarceration of Japanese Americans using actual documentary footage.",
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"description": "Short story by\n \n Wakako Yamauchi\n \n about a divorced middle-aged Japanese American writer who goes to a literary conference in Honolulu where she runs into an old boyfriend from the war years. In flashback, we learn that Sachiko—nicknamed \"Pinky\" while incarcerated in\n \n Poston\n \n with her father—had met Mitch Ochiai at the camp swimming hole, where she asked him to teach her to swim. They become a couple and continue to see each other when she resettles in Chicago while he attends the\n \n Military Intelligence Service Language School\n \n in Minnesota. But her father's illness—and eventual death—forces her to return to Poston, while Mitch heads off to war, and they lose touch. Sachiko ends up marrying Joe Noda, her block manager, and settling in Los Angeles. Though Sachiko is divorced and Mitch has never married, a rekindling of the romance in Hawai'i is not to be.",
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"description": "Prominent\n \n Nisei\n \n attorney recounts his life, including his experiences as the administrator of the hospital at\n \n Manzanar\n \n concentration camp and his role in landmark legal battles advocating for redressing injustices experienced by Japanese Americans.",
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"id": "Manzanar, Diverted: When Water Becomes Dust (film)",
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"description": "Documentary film on\n \n Manzanar\n \n that focuses on the region's relationship with water and with the Los Angeles Department of Water and Power, which owns much of the land and water rights in the area. The film also juxtaposes the forced removal of Japanese Americans to Manzanar with the forced removal of Native Americans from the Manzanar area in the 19th Century. The film also looks at the contemporary water related issues that saw Japanese Americans, Native Americans, and local white environmentalists come together. Much of the Japanese American perspective comes from\n \n Sue Kunitomi Embrey\n \n , the co-founder of the\n \n Manzanar Committee\n \n , and her family.",
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"id": "Mary Osaka, I Love You (short story)",
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"description": "Short story by acclaimed writer John Fante about the love between a Filipino American immigrant man and a\n \n Nisei\n \n woman that takes place in Los Angeles as World War II breaks out. A part of Fante's intended novel on Filipino Americans, it was first published in\n \n Good Housekeeping\n \n magazine in October 1942.",
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"description": "Short story by Rubén \"Funkahuatl\" Guevara about a Nisei zoot suiter and saxophone player in East Los Angeles before and after World War II. Masao Matsui and his buddies Lil' Joe Casillas and Isamu Imoto grow up in Boyle Heights playing jazz and dressing in elaborate zoot suits prior to the war. Masao dreams of leading a band one day. His dreams are interrupted by World War II and his forced incarceration at Manzanar. He passes time playing jazz records and plays in the Jive Bombers in camp. After the war, he returns to Little Tokyo and works as a janitor, while soaking up the local jazz scene that sprang up there as part of \"Bronzeville,\" the African American settlement that formed during the war. Then, one night at a club, he meets a dazzling singer who called herself the Bronze Nightingale, and his life is turned upside down.",
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"description": "Short profile of artist\n \n Matsumi \"Mike\" Kanemitsu\n \n that includes his own thoughts about his techniques and goals as an artist. Narrator Amy Hill provides a brief outline of his life and work accompanied by many photographs and the music of Miles Davis. His World War II experience as a\n \n Kibei\n \n in the U.S. Army is largely passed over to focus on his postwar art career.",
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"description": "Short story by\n \n Wakako Yamauchi\n \n about a middle-aged Japanese American woman working in a sweatshop with a group of undocumented immigrant workers from Latin America. Divorced after twenty-five years of marriage, Florence wanders into a garment factory with a help wanted sign and is hired on the spot and given a relatively responsible position despite her lack of qualifications due to what she thinks is the owners' stereotype about \"Japanese.\" In her first person voice, she introduces various workers as well as the owner's much younger Colombian immigrant wife who takes an immediate disliking to her. She befriends a young couple who were forced to leave their young son back in Mexico and are unable to bring him to the U.S.; the husband semi-jokingly asks Florence to marry him so that he can get a green card. At the end of the story she recalls her and her family's confinement in a wartime concentration camp.",
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"description": "Locally produced documentary by Los Angeles TV station KABC that provides an overview of the concentration camps and community efforts to remember them on their fiftieth anniversary. Hosted by KABC news anchor Joanne Ishimine, the program begins at\n \n Heart Mountain\n \n where former inmate and camp historian Bacon Sakatani gives a tour of the camp and talks about his experience and the larger impact of incarceration. The next segment is on\n \n Manzanar\n \n , focusing on\n \n Toyo Miyatake\n \n and his photographs, featuring an interview with his son Archie. The last segments focus on the commemoration of the camps: a visit to a UCLA class that Sakatani speaks to and interviews with the students; some of those same students at the 50th anniversary\n \n Manzanar Pilgrimage\n \n ; and visits to the Japanese American Cultural and Community Center and\n \n Japanese American National Museum\n \n in the Little Tokyo area of Los Angeles. A copy of the program can be viewed at the UCLA Film and Television Archive.",
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"description": "Short story by Jennifer \"Emiko\" Kuida about Mitsugi Yamamoto, an elderly widower at the Keiro Retirement Home in Los Angeles who waits to hear from his busy lawyer daughter and his grandchildren on Christmas Day. Julia, a younger\n \n Yonsei\n \n volunteer nurse, keeps him company sometimes and listens to his stories of the past, particularly his time at\n \n Seabrook Farms, New Jersey\n \n , where he and his wife Sumi moved after leaving\n \n Manzanar\n \n .",
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"description": "The creator of numerous Hanna-Barbera characters including those from Scooby Doo tells his life story, including his childhood as a\n \n Nisei\n \n in Los Angeles and his experience incarcerated at\n \n Manzanar\n \n concentration camp.",
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"description": "Segment of Jack Linkletter's\n \n On the Go\n \n television show set in Little Tokyo that focuses on the wartime incarceration and its aftermath. Linkletter interviews three Japanese Americans on the sidewalks of Little Tokyo: Eiji Tanabe (referred to only as \"Mr. Tanabe\"), a\n \n Nisei\n \n businessman who had been active in the\n \n Japanese American Citizens League\n \n (JACL) before and after the war; Mr. Shimizu, the\n \n Issei\n \n owner of Asahi Shoe Store; and\n \n John Aiso\n \n , then a municipal court judge. In Tanabe's segment, the longest, he describes his work for the JACL (which is not referred to by name), the loss of his hotel businesses—for which he received token compensation through the\n \n Evacuation Claims Act\n \n —and his \"\n \n voluntary evacuation\n \n \" to his hometown of Spokane, before returning to Los Angeles and starting a travel business. Shimizu describes in halting English his arrest on the night of December 7 and subsequent internment in\n \n San Pedro\n \n and Montana (presumably\n \n Missoula\n \n ) camps. Aiso recounts his story of being in the military and eventually assuming head instructor status of the\n \n Military Intelligence Service Language School\n \n . Linkletter asks each if they are bitter, which none claim to be. The only one to express any anger is Fumi Hirata, the daughter of Shimizu, brought in at the end of his segment, who says that upon his arrest, \"we were mad, aggravated, upset, scared....\"",
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"description": "Filmed version of Cynthia Gates Fujikawa's\n \n one-woman play\n \n of the same name about her search to unearth the secrets in the life of her father, actor Jerry Fujikawa. The play premiered in New York in 1997. Gates and documentary film director Allan Holzman filmed her performances during the run of the play in Los Angeles in early 1998. To try to recapture the effect of Fujikawa talking directly to the audience, Holzman positioned cameras on stage that she could talk into and added additional historic photographs and video. Premiering later in 1998, the film version went to play in various film festivals, community screenings and\n \n Days of Remembrance\n \n in succeeding years. The DVD version of the film also includes Fujikawa's 2003 documentary,\n \n\n Day of Remembrance\n \n\n .",
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