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"title": "Birth of an Activist: The Sox Kitashima Story (book)",
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"description": "Novel by Jay Feldman about a New York Yankees scout who discovers a hot\n \n Nisei\n \n pitching prospect in an American concentration camp during World War II.",
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"description": "A children's picture book by\n \n Nisei\n \n author\n \n Yoshiko Uchida\n \n , with illustrations by Joanne Yardley, originally published in 1993.\n \n The Bracelet\n \n is a story derived from the author's own childhood experiences in an American concentration camp during World War II. The book opens as seven-year-old Emi, her mother and sister prepare to leave their home in Berkeley, California, for\n \n Tanforan\n \n , a racetrack that has been converted into a temporary camp for Japanese Americans. Emi's best friend, Laurie Madison, brings her a gold bracelet as a farewell gift, and as a reminder of the value of their friendship. Emi vows that she will never take it off, but as she helps clean out the filthy horse stable that will serve has her family's \"apartment,\" the gold chain slips off her wrist and is lost. At first, she is desolate, but Emi eventually realizes that she does not need the bracelet to remember her friend, just as she does not need a photo to remember her father (who has been sent to a separate prisoner-of-war camp in Montana).",
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"description": "Moderated panel discussion led by Phil Shigekuni with four prominent Japanese American Protestant ministers with ties to Los Angeles who were incarcerated during World War II. Three—Rev.\n \n Paul Nagano\n \n , Rev. John Miyabe, and Bishop Roy Sano—were at the\n \n Poston\n \n , Arizona, concentration camp, while Rev. Sam Tonomura was a boy in British Columbia caught up in the forced removal of Japanese Canadians during the war. The discussion covers the men's experiences during the war and the role of the church during the incarceration, particularly with regard to issues of \"loyalty\" and resistance. The men talk about the role of the church in the\n \n Redress Movement\n \n , in bridging divides in the Japanese American community today, and in the anti-Muslim/Arab climate following the 9/11 attacks. The format of the film largely follows that of a \"talking heads\" type television program, with the insertion of still historical photographs.",
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"description": "Conventional documentary on the history of the Japanese American community in Alameda, California, that is more or less equally divided between the prewar years and wartime incarceration/aftermath. Perhaps due to sponsorship by the Buddhist Temple of Alameda and the Buena Vista United Methodist Church, there is a focus on the history and activities of those two institutions throughout. While the first half is specifically on the Japanese American community in Alameda and is thus somewhat unique, the section on the wartime removal and incarceration is more general and thus repeats information that can be found elsewhere.",
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"title": "House of the Red Fish (book)",
"description": "Young adult novel by Graham Salisbury about a\n \n Nisei\n \n teenager in wartime Honolulu who struggles to bring up the sunken fishing boat of his interned father. It is a sequel to the popular 1994 novel\n \n\n Under the Blood-Red Sun\n \n\n .",
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"id": "Issei and Nisei: The Internment Years (book)",
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"title": "Issei and Nisei: The Internment Years (book)",
"description": "Memoir of a young\n \n Issei\n \n Episcopal clergyman based in Washington state during the trying years of World War II. Published in the fall of 1967,\n \n Daisuke Kitagawa\n \n 's account was among the first book-length first-person accounts of the Japanese American incarceration.",
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"Adult"
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"Importance of community",
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"id": "A Jive Bomber's Christmas (play)",
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"title": "A Jive Bomber's Christmas (play)",
"description": "Musical play set in a World War II concentration camp by Saachiko and Dom Magwili. First produced for the\n \n Japanese American National Museum\n \n (JANM) in 1994,\n \n A Jive Bomber's Christmas\n \n became a holiday tradition in Los Angeles, enjoying a nine-year run and subsequent revivals in Los Angeles and in Hawai'i. The play was based in part on Saachiko Magwili's childhood memories of\n \n Heart Mountain\n \n and shares a structural similarity with Dom Magwili's earlier\n \n\n Christmas in Camp\n \n\n , first produced at East West Players in 1981.",
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{
"id": "Journey Home (book)",
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"index": "12 37/{'value': 69, 'relation': 'eq'}",
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"title": "Journey Home (book)",
"description": "Novel for young adults about a Japanese American family leaving the concentration camps and eventually returning to their home by prolific author Yoshiko Uchida, written as a sequel her 1971 book\n \n\n Journey to Topaz\n \n\n .",
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"rg_theme": [
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"id": "Justice Now! Reparations Now! (film)",
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"description": "Documentary film on the\n \n Redress Movement\n \n focusing on the contributions of the\n \n National Coalition for Redress/Reparations\n \n (NCRR), which produced it. The film provides a brief overview of the wartime incarceration, with a focus on resistance by Japanese Americans in and out of confinement. It then traces the roots of NCRR to 1960s social movements and the rise of redress as an issue in Japanese American communities in the 1970s, outlining NCRR's \"grass roots\" orientation. Footage from the Los Angeles hearings of the Commission on Wartime Relocation and Internment of Civilians—which NCRR helped to organize—and well as excerpts of speeches by Norman Mineta and Robert Matsui in support of redress legislation are also included. The film culminates with footage of NCRR's July 1987 trip to Washington, DC, to lobby for redress legislation and with the passage and signing what would become the\n \n Civil Liberties Act of 1988\n \n . Alan Kondo produced and directed the thirty minute film for NCRR, which premiered at an August 27, 1988 redress celebration in Los Angeles.",
"url_title": "Justice Now! Reparations Now! (film)",
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"Arts",
"Redress"
],
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"rg_interestlevel": [
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"Adult"
],
"rg_genre": [
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],
"rg_theme": [
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"Importance of community",
"Power of the past"
],
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"rg_rgmediatype_label": "Films and Video",
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{
"id": "Leap of Faith: How Enmanji Temple Was Saved (film)",
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"links": {
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"title": "Leap of Faith: How Enmanji Temple Was Saved (film)",
"description": "Documentary short film by Lina Hoshino about a group of white Christian teenagers who guard a California Buddhist temple during World War II in an effort to deter vandalism.",
"url_title": "Leap of Faith: How Enmanji Temple Was Saved (film)",
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"rg_theme": [
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"Role of Religion – virtue or hypocrisy"
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"rg_rgmediatype_icon": "fa-film"
},
{
"id": "Lost LA: From Little Tokyo to Crenshaw (film)",
"model": "article",
"index": "15 40/{'value': 69, 'relation': 'eq'}",
"links": {
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"title": "Lost LA: From Little Tokyo to Crenshaw (film)",
"description": "Episode of the\n \n Lost LA\n \n public television series that looks at the return of Japanese Americans to Los Angeles\n \n Little Tokyo\n \n after their wartime incarceration and the postwar evolution of the Seinan or Crenshaw community, where Japanese Americans and African Americans lived side-by-side for several decades. Host Nathan Masters interviews\n \n Japanese American National Museum\n \n curator and collection manager Kristen Hayashi about the return to Little Tokyo and subsequent move to the suburbs; dancer and activist\n \n Nobuko Miyamoto\n \n , who grew up in the Crenshaw neighborhood after the war; Vietnam veteran and activist Nick Nagatani, who was one of the founders of Yellow Brotherhood, a social service organization in the community; and Joy Simmons, a local activist and arts advocate who grew up with many Japanese Americans in the 1960s and 1970s.",
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"rg_theme": [
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"id": "The Lost Village of Terminal Island (film)",
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"title": "The Lost Village of Terminal Island (film)",
"description": "A 2007 documentary film directed by David Meltzer about\n \n Terminal Island\n \n , once home for a large and prosperous Japanese American fishing community located near the Port of Los Angeles, California. After the bombing of Pearl Harbor on\n \n December 7, 1941\n \n , nearly 3,000 Japanese immigrants and their families who lived at Terminal Island were forced from their homes and into government concentration camps. Most of the original inhabitants of this tight-knit Japanese American village would never return. This film tells the story of childhood memories of growing up on a once idyllic Terminal Island as well as the painful experiences of suspicion, interrogation and incarceration (most Terminal Islanders were sent to the camp at\n \n Manzanar\n \n ) that the community suffered following the passage of\n \n Executive Order 9066.\n \n The film also traces the former residents' continuing identification with Terminal Island, noting the reunions that began in 1971 and climaxing with the dedication of a memorial at the former site of the village in 2002. The film is based largely on interviews with the former residents, augmented by many family photographs and archival and home movie footage. Funding for the film came in part from the\n \n California Civil Liberties Public Education Program\n \n .",
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"title": "Manzanar and Beyond (book)",
"description": "Prominent\n \n Nisei\n \n attorney recounts his life, including his experiences as the administrator of the hospital at\n \n Manzanar\n \n concentration camp and his role in landmark legal battles advocating for redressing injustices experienced by Japanese Americans.",
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"id": "Manzanar Daze and Cold Nights (book)",
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"title": "Manzanar Daze and Cold Nights (book)",
"description": "Posthumously published memoir by a\n \n Nisei\n \n man about his years at\n \n Manzanar\n \n during World War II.",
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"id": "Manzanar: Never Again (film)",
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"title": "Manzanar: Never Again (film)",
"description": "Short film shot at a\n \n Manzanar Pilgrimage\n \n . Attendees—including former inmates and their descendants—talk about\n \n Manzanar\n \n , the aftermath of camp, and the evolution of the pilgrimages and the Manzanar National Historic Site as we see scenes of the pilgrimage and the preparations for it. The role of activist\n \n Sue Kunitomi Embrey\n \n is highlighted in reminiscences of those who knew her; her own words are read by an actress.",
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"id": "Memories of Place: Clarksburg's Japanese Language School (film)",
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"title": "Memories of Place: Clarksburg's Japanese Language School (film)",
"description": "Short documentary film on the Holland Union Gakuen (\n \n Japanese language school\n \n ) in Clarksburg, California.",
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"id": "The Merced Assembly Center: Injustice Immortalized (film)",
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"title": "The Merced Assembly Center: Injustice Immortalized (film)",
"description": "Documentary film on Japanese Americans from Central California who were incarcerated at the\n \n Merced Assembly Center\n \n and the effort nearly sixty years later to build a memorial at the site. Produced by the Merced Assembly Center Commemorative Committee, the film was funded in large part by a grant from the Japanese American Confinement Sites Grant Program.",
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"id": "Minidoka: An American Concentration Camp (film)",
"model": "article",
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"title": "Minidoka: An American Concentration Camp (film)",
"description": "Documentary film on\n \n Minidoka\n \n that serves as the orientation film at the Minidoka National Historic Site. Narrated by George Takei and featuring interviews with Japanese Americans who were incarcerated at Minidoka, the film covers the prewar Japanese American community, the mass forced removal of Japanese Americans in 1942, life at Minidoka, the\n \n \"loyalty questionnaire,\"\n \n the\n \n 442nd Regimental Combat Team\n \n , the closing of the camp in 1945 and the return home, the\n \n Redress movement\n \n , and the importance of remembering the incarceration story.",
"url_title": "Minidoka: An American Concentration Camp (film)",
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"id": "Nebraska's Nisei (film)",
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"description": "Documentary film produced by the University of Nebraska that tells the story of three\n \n Nisei\n \n from\n \n Heart Mountain\n \n who left camp to attend the University of Nebraska through the\n \n National Japanese American Student Relocation Council\n \n during World War II. The three are Pat Sano, Marie Yamashita Snell, and Tom Shiokari. The story is told through interviews, historical photographs, and unidentified home movie type footage of Heart Mountain. No credits are listed for the production of the film. A nine minute version is available on the University of Nebraska's YouTube channel.",
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"description": "Personal essay on being Japanese American by\n \n Sansei\n \n filmmaker\n \n Steven Okazaki\n \n , narrated in his first person voice. Beginning his journey at a family mochizuki event in Oxnard, California, he explores his family history, taking us to the house he grew up in in Venice, California, and telling us what he knows of his mother's and father's families, including their World War II incarceration (his mother went to\n \n Santa Anita\n \n , then\n \n Amache\n \n , his father to\n \n Heart Mountain\n \n ) and featuring a brief interview with his mother. In search of more information about his father's side, he goes to Japan to visit a distant cousin and to Hawai'i to visit one of his father's old army buddies, from whom he learns much. The film ends with footage from various bon dances in Hawai'i and the continental U.S, which Okazaki cites as a living symbol of being Japanese American. Along the way, Okazaki muses on aspects of Japanese American culture, the differences between Japanese Americans in the continental U.S. and Hawai'i, and the lingering impact of the World War II incarceration.",
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