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"description": "Children's picture book by Amy Lee-Tai and illustrated by Felicia Hoshino about Mari, a young Japanese American girl in\n \n Topaz\n \n , an American concentration camp during World War II. As the book begins, she plants sunflower seeds in the desert soil, hoping they will grow like the sunflowers in their old backyard. She recalls their prewar home, where she lived with her older brother and artist parents. At Topaz, she goes with her father to the art school he started. Initially unable to draw anything in the children's class, she slowly starts to find things to draw with the help of a supportive teacher, her father, and her new friend Aiko. After drawing a picture of her barrack with the sunflowers growing tall in front, she returns home to find little sunflower seedlings, giving her hope for the future. A final page provides biographies of the author and illustrator and some background on the book. The main text of the book is in both English and Japanese, the latter via translation by Marc Akio Lee.",
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"title": "Picture Bride (book)",
"description": "The fictional account of a\n \n picture bride\n \n , from her arrival in the U.S. to the life she and her husband create for themselves with their daughter, to her experience of incarceration during World War II.",
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"description": "Short story by Yachiyo Uehara that recalls friendships made while in a concentration camp. In the 1980s, a Nisei woman named Fumi is making a roast when she notices a story about a\n \n Heart Mountain\n \n reunion in the newspaper. The article triggers memories of her two years at Heart Mountain forty years prior, in particular her work as a waitress in the Block 17 mess hall. A city girl from San Francisco, she is at first treated as an outsider by fellow workers who mostly hailed from rural areas. But through her hard work and skill in the Japanese language, she wins them over, in particular the group's de facto leader, Mrs. Shirota. The story climaxes with a visit to the Shirotas' family barrack, where Mrs. Shirota has secured the rare treat of a manju (rice and sweet bean pastry) that the chefs had managed to concoct. Fumi is particularly taken with the fact that Mrs. Shirota has cut the small treat into four small pieces so that each could enjoy a piece. Back in the present, Fumi wonders if Mrs. Shirota is still alive and if she will be at the reunion.",
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"title": "Our American Family: The Furutas (film)",
"description": "Episode of the television series\n \n Our American Family\n \n that focuses on a Japanese American family from Southern California. The episode premiered in February 2015.",
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"id": "Nurse of Manzanar: A Japanese American's World War II Journey (book)",
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"title": "Nurse of Manzanar: A Japanese American's World War II Journey (book)",
"description": "Edited diary of Toshiko Eto Nakamura (1910–94), a nurse who volunteered to work at the hospital in\n \n Manzanar\n \n during World War II.",
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"description": "Exhibition at the History Museum of Hood River County on the Japanese American experience in Hood River, Oregon. Instigated by Museum Coordinator Connie Nice once she learned of the of the wartime incarceration of local Japanese Americans and the particularly virulent opposition to their postwar return, the exhibition has the support of the local community. The small exhibition included four sections: \"Our Lives Before,\" \"Our Lives Removed,\" \" Our Lives in Camp,\" and \"Our Lives in Service.\" Included in the exhibition are documents from the local American Legion chapter, which made national headlines in 1944 when it removed the names of Nisei soldiers from a local \"roll of honor.\" The exhibition subsequently became a semi-permanent part of the museum.",
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"description": "Coming-of-age novel by Maureen Lindley that takes place largely in\n \n Manzanar\n \n and whose protagonist is a mixed-race\n \n Sansei\n \n girl.",
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"description": "A 2006 documentary film by Adrianne Anderson and Tony Sondag about the redevelopment struggle in San Francisco's Japantown. As in other cities on the West Coast, plans for urban renewal disproportionately affected ethnic minorities including Japanese Americans, destroying or diminishing historical Japantowns after World War II. The film traces the history of San Francisco's Nihonmachi, focusing on the eviction of Japanese American residents of San Francisco's Nihonmachi starting in the 1960s—drawing parallels with the 1942 eviction of Japanese Americans under\n \n Executive Order 9066\n \n —and 1970s efforts by community members to halt evictions and preserve and reclaim the community and its history. The film covers the 100th anniversary celebration of the community in 2006, while also noting the continuing threats it faces.",
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"id": "Crossroads: Boyle Heights (film)",
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"description": "A documentary film compiled from life histories of past and present residents of Boyle Heights, a working-class neighborhood east of downtown Los Angeles. From the 1920s-1950s, Boyle Heights was a racially and ethnically diverse home to immigrants from Mexico, Japan, England, Germany, Russia and Armenia as well as people from the east, the south and the southwest portions of the United States who lived, worked and worshiped in the area. The film also explores how the mass incarceration of Japanese Americans and their postwar return affected businesses and friendships. While many Japanese Americans faced hostility in other parts of Los Angeles, residents of Boyle Heights share stories of a deeper empathy with the plight of those incarcerated.\n \n Crossroads: Boyle Heights\n \n was originally produced to accompany the exhibition\n \n Boyle Heights: The Power of Place\n \n (2002) at the\n \n Japanese American National Museum\n \n .",
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"id": "Caught in Between: What to Call Home in Times of War (film)",
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"title": "Caught in Between: What to Call Home in Times of War (film)",
"description": "Documentary film by Lina Hoshino that looks at parallels between Japanese Americans after the attack on Pearl Harbor on Arab and Muslim Americans after 9/11 and at joint activism between the two groups in the months after 9/11.",
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"id": "Chrysanthemums and Salt (film)",
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"title": "Chrysanthemums and Salt (film)",
"description": "Documentary film by Dianne Fukami on the Japanese American community in San Mateo, California, from its late 1800s origins to the outbreak of World War II. As hinted at by the film's title,\n \n Chrysanthemums and Salt\n \n largely focuses on two of the major industries that employed Japanese Americans before the war, growing and marketing chrysanthemums and salt companies that took advantage of the region's natural suitability for salt evaporation ponds. The film also covers Japanese American community life, the role of the churches and the outbreak of World War II and the reaction to the subsequent forced removal.\n \n Chrysanthemums and Salt\n \n is notable for including interviews with several\n \n Issei\n \n , conducted in Japanese with translated voiceovers. \"Host\" Jane Yanehiro narrates the film and also appears on camera.",
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"id": "An American Story: World War II Stories of the Tragedy and Triumph of Our Japanese-American Community During Wartime (film)",
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"title": "An American Story: World War II Stories of the Tragedy and Triumph of Our Japanese-American Community During Wartime (film)",
"description": "Video on the World War II odyssey of Japanese Americans from the Watsonville area based on interviews with survivors of that time. The video was part of a larger project that also included a curriculum guide/lesson plan kit for teachers and an interactive video kiosk available for display by community organizations. The project was sponsored by the Watsonville Public Library and Watsonville-Santa Cruz chapter of the\n \n Japanese American Citizens League\n \n and funded by a $14,000 grant from the\n \n California Civil Liberties Public Education Program\n \n . The film's premiere screening took place on August 27, 2011.\n \n\n [1]",
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"id": "Dear Miss Breed: Letters from Camp (exhibition)",
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"description": "Exhibition at the\n \n Japanese American National Museum\n \n (JANM) based on the letters sent to librarian\n \n Clara Breed\n \n by Japanese American students forcibly removed to concentration camps.\n \n Dear Miss Breed\n \n opened in JANM's Legacy Center gallery on January 14, 1997, and closed on April 13, 1997. A\n \n short film\n \n of the same name was also featured in the exhibition. Though it did not travel subsequently, an online version of the exhibition was created and is available at the JANM website.",
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"id": "The Blue Jay (film)",
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"title": "The Blue Jay (film)",
"description": "Narrative short film set in\n \n Poston\n \n centering on Sam and Ayako Shigeta, a young Nisei couple with a newborn baby, and their evolving relationship with Pohache, a Native American staff person.",
"url_title": "The Blue Jay (film)",
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"Will to survive"
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"rg_rgmediatype_label": "Films and Video",
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"id": "Nisei Bowl (film)",
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"title": "Nisei Bowl (film)",
"description": "Documentary about the denizens of a Nisei senior bowling league in Salt Lake City. While the first half is a lighthearted look at the league and the role it plays in the lives of the members, the second half delves into the origins of the league in the context of the Japanese American community in Salt Lake City, many of whom\n \n resettled\n \n there out of concentration camps, as well as the exclusion of Japanese Americans from American Bowling Congress sponsored leagues after the war.",
"url_title": "Nisei Bowl (film)",
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"title": "Fugetsu-Do (film)",
"description": "Documentary film on the Fugetsu-Do Japanese confectionery shop in Little Tokyo, Los Angeles, narrated by third-generation proprietor Brian Kito. Kito discusses the history of the shop that was founded in 1903 by his grandparents, the decision to take over the shop from his Nisei father, his trials and tribulations as the shop owner, the different kinds of\n \n manju\n \n and\n \n mochigashi\n \n the store carries, and the hopes for the future of the shop now that his son has expressed a desire to take it over one day. The film also explores the Kito family's wartime incarceration at\n \n Heart Mountain\n \n and its long-term impact. Filmmaker Kaia Rose shot the film at the shop itself and at the\n \n Heart Mountain Interpretive Center\n \n , sometimes using archival footage against the backdrop of contemporary scenes.",
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