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            "id": "The Cats of Mirikitani (film)",
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            "title": "The Cats of Mirikitani (film)",
            "description": "An award-winning documentary film from 2006 about a homeless\n  \n   Nisei\n  \n  artist named\n  \n   Jimmy Tsutomu Mirikitani\n  \n  and the friendship that develops with filmmaker Linda Hattendorf on the streets of New York.",
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            "id": "Living in Color: The Art of Hideo Date (exhibition)",
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            "title": "Living in Color: The Art of Hideo Date (exhibition)",
            "description": "Retrospective exhibition featuring the work of\n  \n   Issei\n  \n  painter\n  \n   Hideo Date\n  \n  at the\n  \n   Japanese American National Museum\n  \n  (JANM) that opened in 2001. Curated by Karin Higa,\n  \n   Living in Color\n  \n  draws on works Date donated to JANM as well as works held by the Los Angeles County Museum of Art and Smithsonian American Art Museum from the 1930s to the 1980s. An established artist by the 1930s, Date was sent to\n  \n   Santa Anita\n  \n  and\n  \n   Heart Mountain\n  \n  during the war, where he taught art and formed an Art Students League at the latter. Best known for his watercolor and gouache painting before the war, he turned to pencil drawings while incarcerated due in part to the difficulty of obtaining painting materials while in camp. The exhibition includes several of these drawings. Unlike artists such as\n  \n   Henry Sugimoto\n  \n  or\n  \n   Estelle Ishigo\n  \n  , Date's wartime drawings do not depict scenes from the concentration camps, most being of cats. An illustrated catalog with a biographical essay by Higa was published by Heyday Books, funded in part by a grant from the\n  \n   California Civil Liberties Public Education Program\n  \n  .",
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            "id": "Matsumi Kanemitsu: A Japanese American Artist (film)",
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            "title": "Matsumi Kanemitsu: A Japanese American Artist (film)",
            "description": "Short profile of artist\n  \n   Matsumi \"Mike\" Kanemitsu\n  \n  that includes his own thoughts about his techniques and goals as an artist. Narrator Amy Hill provides a brief outline of his life and work accompanied by many photographs and the music of Miles Davis. His World War II experience as a\n  \n   Kibei\n  \n  in the U.S. Army is largely passed over to focus on his postwar art career.",
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            "id": "Yuri Kochiyama: Passion for Justice (film)",
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            "title": "Yuri Kochiyama: Passion for Justice (film)",
            "description": "Documentary film profiling\n  \n   Nisei\n  \n  political activist\n  \n   Yuri Kochiyama\n  \n  co-produced and co-directed by Patricia Saunders and Rea Tajiri.",
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                "Convention and rebellion",
                "Evils of racism",
                "Empowerment",
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            "id": "A Grain of Sand (album)",
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            "title": "A Grain of Sand (album)",
            "description": "Originally produced and released in 1973 by Paredon Records,\n  \n   A Grain of Sand: Music for the Struggle by Asians in America\n  \n  by folk trio\n  \n   Chris Kando Iijima\n  \n  ,\n  \n   Nobuko JoAnne Miyamoto\n  \n  , and William \"Charlie\" Chin is widely recognized to be the first album of Asian American music. The record is a combination of folk songs, political ballads and protest songs. The music was written, performed and recorded at the height of the Asian American, black, and anti-war movements in the early '70s by New York musicians and activists Iijima, Miyamoto, and Chin, who were then in their twenties and early thirties. The original album includes artwork by Arlan Huang/Artist Resource Basement Workshop on the album jacket and liner notes with a political statement by the musicians, lyrics, and a list of Asian American publications from the era. One of the songs, \"We Are the Children,\" is likely the first song in English to explicitly mention the wartime incarceration of Japanese Americans.",
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