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            "title": "A Personal Matter: Gordon Hirabayashi vs. the United States (film)",
            "description": "Documentary film on\n  \n   Gordon Hirabayashi\n  \n  and his legal challenge to the World War II-era measures against Japanese Americans during the war and the revival of that challenge forty years later. John de Graaf directed the 28-minute documentary, which tells his story in a largely chronological manner, ending with the 1980s\n  \n   coram nobis\n  \n  case verdict. In addition to Hirabayashi's own words and contemporary footage of him visiting such key locales as the Federal Court House in Seattle, where he was first tried; the King County Jail, where he was incarcerated; and his alma mater, Auburn High School, the filmmakers tell the story through interviews with two of his brothers, friends, and some of his lawyers (including\n  \n   Arthur Barnett\n  \n  , his friend and lawyer in the 1940s cases).\n  \n   A Personal Matter\n  \n  aired nationally on Public Broadcasting Service stations in 1992. Among the funders of the film are the National Commission on the Bicentennial of the U.S. Constitution, the Rose E. Tucker Charitable Trust, the Collins Foundation, the Oregon Law Foundation, and the Jackson Foundation. de Graaf had produced in earlier film on the removal and incarceration of Japanese Americans from\n  \n   Bainbridge Island\n  \n  ,\n  \n   Visible Target\n  \n  , in 1985.",
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            "id": "Racial Profiling (book)",
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            "title": "Racial Profiling (book)",
            "description": "Book for middle schoolers that looks at both sides of the issue of racial profiling. One chapter focuses on the World War II exclusion and incarceration of Japanese Americans.",
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            "description": "Documentary film on Nisei\n  \n   draft resister\n  \n  Yosh Kuromiya and his nephew, civil rights activist Kiyoshi Kuromiya, directed by Robert Shoji. The film begins with Shoji's first person narration of meeting Yosh Kuromiya and with scenes of Kuromiya, shot shortly before his 2018 passing, in which he discusses growing up in the San Gabriel Valley before the war and being forcibly removed with his family to the\n  \n   Heart Mountain\n  \n  , Wyoming, concentration camp, where he was among the young men who resisted the draft, subsequently serving time in prison. The film then follows him to the cemetery, where he visits the resting place of Kiyoshi, while recalling his life of activism. An audio interview of Kiyoshi continues the story of his role in the Civil Rights Movement and as founder of the Critical Path newsletter that provided crucial information about HIV/AIDS. The film ends with Shoji expressing gratitude for having met Yosh and wishing he could have met Kiyoshi.",
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            "description": "Children's picture book that tells in simplified form the story of the landmark\n  \n   Mendez\n  \n  case that ultimately ended segregated schools in California. The story is told through the perspective of Sylvia Mendez who is eight years old in 1943. Having rented the farm of Munemitsu family, who had been forcibly removed to concentration camps, they were new to Westminster, California. When she and her brothers are prohibited from attending the same school as her cousins (who can pass as \"white\") and must attend the inferior school for those of Mexican, African or Asian ancestry, her family decides to sue. With the help of lawyer David C. Marcus—and support from various organizations including the\n  \n   Japanese American Citizens League\n  \n  —the suit proves successful, ending segregation in the state. A brief epilogue notes the long-term impact of the case and the fate of Sylvia and others involved in it.",
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            "description": "Simply animated story set in\n  \n   Minidoka\n  \n  told in the first-person voice of a young Nisei girl named Sumi that highlights the role that key white supporters in and out of the concentration camps played in aiding Japanese Americans. After noting the deprivations\n  \n   Nikkei\n  \n  faced in the early months at Minidoka, Sumi notes the presence of Reverend Andy (\n  \n   Emery Andrews\n  \n  ), who had come to minister to his flock all the way from Seattle. Later, she highlights the role played by\n  \n   Thomas Bodine\n  \n  of the\n  \n   National Japanese American Student Relocation Council\n  \n  and Father Leopold Tibesar in helping Sumi's older sister, Yuri, leave Minidoka to attend college in Philadelphia. The black and white animation turns to color as Yuri leaves camp. After the main story, author Ken Mochizuki provides brief profiles of Andrews, Bodine, and Tibesar, along with Minidoka Education Superintendent Arthur Kleinkopf and Deaconess Margaret Peppers, both of whom are also portrayed in the film.",
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            "rg_theme": [
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            ],
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            "description": "Wayside exhibition produced by the Japanese Cultural Center of Hawai'i (JCCH) that debuted in 2011. The sixteen panel exhibition focuses on the\n  \n   Honouliuli\n  \n  detention camp and JCCH's efforts to preserve the site and tell the story of Hawai'i's World War II Japanese American internees. Funding for the exhibition came from a grant from the Japanese American Confinement Sites Grant Program and from the Island Insurance Foundation. JCCH contracted Mo'ili'ili Blind Fish Tank (MBFT) Media to produce the exhibition. Arnold Hiura wrote the exhibition script and Stephen Doi designed and built it.",
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